Abendland (Hours, Years, Aeons)
2015 | 43 min | B/W | DCP | 1:1
Screenplay, directors, drawings:
IC-98 (Patrik Söderlund & Visa Suonpää)
Animator: Markus Lepistö
Assistant animator: Leo Liesvirta
Original score: Max Savikangas
Commissioned by Frame Visual Art Finland for the 56th
International Art Exhibition – la Biennale di Venezia, 2015.
Synopsis In a twilight world long after the age of man, a twisted ecosystem centered around an overgrown fruit tree undergoes parasitic and geological transformations as hours, years and aeons pass. Realised in Söderlund’s and Suonpää’s signature combination of traditional drawing and subtle digital effects, Abendland (Hours, Years, Aeons) is a poetic meditation on the Anthropocene. It’s a work about the containment of ecological disasters in general, and about repositories for used nuclear fuel in particular (the case in point being Onkalo at Olkiluoto, Finland).
About the directors IC-98 (originally Iconoclast, founded in 1998) is an artist duo comprising Visa Suonpää (b. 1968) and Patrik Söderlund (b. 1974). IC-98 projects take the form of installations combining research, text, drawing and animation. They are best known for their animated film installations, which combine classical drawing and digital effects, often depicting landscapes shaped by interlaced forces of nature and technology, navigation and exploitation, climate and migration.
Screenings | Festivals
Cinema premiere at Sundance Film Festival, January 2016.
Mannerlaatta (english title: Tectonic Plate)
2016 | 74 min | B/W | DCP | 1:1,85
Director: Mika Taanila
Text: Harry Salmenniemi
English translation: Lola Rogers
Music: Mika Vainio
Graphic design: Markus Pyörälä
Sound design: Olli Huhtanen
Producer: Jussi Eerola
Synopsis A camera-less lettrist film about the fear of flying, security checks and time zones. After returning from a trip to Tokyo, the nameless protagonist is inexplicably stuck at a hotel near the Helsinki airport. With multi-tasking, the attention and activity of the individual are divided into several directions at once. The use of various technical devices slivers the time management and modifies the jetlagged consciousness.
About the director Mika Taanila (b. 1965) is a film-maker / visual artist based in Helsinki. Taanila’s films have been screened at several international film festivals, such as Toronto TIFF, IFFR Rotterdam, the Karlovy-Vary Film Festival, IDFA Amsterdam, Oberhausen Kurzfilmtage and CPH:DOX. Major international group shows include Kassel Documenta (2012), Aichi Triennale (2013) and Venice Biennale (2017). In May 2015 Taanila received The Ars Fennica Award.
Polte (english title: Flame)
2017 | 15 min | col | 4K and 2K| 1:1,85
Director: Sami van Ingen
Archive material: Tommi Partanen / National Audiovisual Institute
Music: Henri Lindström
Re-recording mixer: Olli Huhtanen / Cinepost Finnvox
Producers: Mika Taanila, Jussi Eerola
Synopsis A fractured melodrama, based on damaged frames from the last minutes of the only remaining nitrate reel of the lost feature film Silja – Fallen Asleep When Young (1937) directed by Teuvo Tulio. All screening prints and the negative of the film were destroyed in a 1959 studio fire. A sequence from the middle of the film was found at La Cinémathèque Française in Paris in 2015.
About the director Sami van Ingen has made over 30 films, mostly dealing subtly with the act of seeing and using various strategies to manipulate found or forgotten footage. His films have been screened at festivals like Edinburgh Film Festival, Image Forum Tokyo, Kurzfilmtage Oberhausen, Bienal de la Imagen en Movimiento in Buenos Aires and at institutions like National Gallery of Art in Washington, Centre Pompidou and Anthology Film Archives.
Blue Honda Civic
short, 2017, dir. Jussi Eerola
A minimalistic road movie written by Jussi Eerola & Martti Jämsä.
short, 2017, dir. IC-98
A poetic short film about the continuum of geological epochs.